Blood On The Dance Floor History In The Mix
. ' Released: March 21, 1997. ' Released: July 30, 1997.
' Released: November 18, 1997 Blood on the Dance Floor: HIStory in the Mix is a by American recording artist. It was released on May 20, 1997 by, and is the second album released by Jackson's own record label, MJJ Productions. The album is made up of eight remixes from Jackson's previous studio album and five new songs. Jackson was heavily involved with the production of the new material while the remixes were produced by other artists. The new material concerns themes such as, relationships and. The album, like HIStory, features Jackson playing several instruments.
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The album received minimal promotion by Jackson's standards, particularly in the United States. Still, a, two singles (' and '), a and a were issued as promotion.
Reviews at the time of release were largely mixed, with some critics feeling that Jackson had already explored these musical themes and others criticising what they perceived as weak vocals. Other critics were more favorable, with praise issued for similarities to the music of and. Since its debut, the album has sold over six million copies worldwide, making it the. Excerpt of the track 'Morphine'. Problems playing this file?
The album was produced while Jackson traveled the globe on his. Thus, the songs were produced in a variety of countries that included Sweden, Switzerland and Germany. The album is made up of eight remixes of songs from —', 'Money', '2 Bad', ', ', ', ' and '—and five new songs—', 'Morphine', 'Superfly Sister', ' and '. Jackson was heavily involved in the writing, composition and production of the five new songs, and sang all of the lead vocals.
Remixed 'Stranger in Moscow', and remixed 'Scream', and worked on the new track 'Blood on the Dance Floor' and the remix of '2 Bad'., a member of The Fugees, told MTV of his involvement in the production, 'We did a first remix for Michael, and he wanted us to do another one'. The group spoke of their excitement at receiving a phone call from Jackson. 'Morphine' contains an audio clip from, courtesy of. On this song, Jackson was the sole arranger, doing such to the classical, vocal and orchestral aspects. Jackson also played solo percussion and drums and received joint guitar credit alongside longtime collaborator.
's choir is also featured on the piece. 'Morphine's central themes is the drug usage of.
Blood On The Dance Floor: History In The Mix Michael Jackson Album
In the track, he sings, 'Trust in me/Just in me/Put all your trust in me/You're doin' morphine.Go on babe/Relax/This won't hurt you/Before I put it in/Close your eyes and count to ten/Don't cry/I won't convert you/There's no need to dismay/Close your eyes and drift away'. 'Scream Louder' contains elements from ', performed. '2 Bad' contains a recreation of a melody line of Jackson's 1983 hit ' as well as a rap by and guitar solo by Wyclef Jean. Packaging, release and promotion The 23 page album booklet contains the lyrics to ', ' and '. The eight remixes from HIStory are given additional titles such as 'Flyte Tyme Remix' and 'Tee's In-House Club Mix'. The booklet contains many images from the and film. Towards the end of the booklet, Jackson pays respect to friends such as and, his family, employees and fans.
The album was released by on May 20, 1997. Was released on the same day—a video collection of Jackson's music videos and television performances from the HIStory era of 1995–1997. By Jackson's prior standards, it was not widely promoted upon release. Described the US promotional effort as 'subdued', creating 'hardly a sound' and 'perplexing to many people in the industry'. Jackson's label Epic Records, refuted allegations they were not promoting the album sufficiently in the United States, saying, 'We are completely behind the album.Michael is certainly one of our superstars and is treated as such.We just went into this one with our global hats on'.
The New York Times acknowledged that promotion was stronger internationally, where Jackson had more commercial force and popularity. Jackson effectively no longer needed the US market to have a hit record. By June 1997, only ten percent of sales from Jackson's prior studio album came from within the United States. The singer released a film entitled Ghosts, which he unveiled at the, as part of the album promotion. It was released theatrically in the United States in October 1996, as for the United Kingdom, it debuted at the in May 1997. The UK event attracted fans, media and business organizations. It was released on cassette in most parts of the world.
The film was written by Jackson and and directed. The story was based loosely on the events and isolation Jackson felt after he was accused of child sexual abuse in 1993. In the plot, the —played by Jackson—is nearly chased out of his town by the residents and the mayor—who deliberately looks very similar to —because they believe him to be a 'freak'. The film had similar imagery and themes to that of. It features many special effects and dance moves choreographed to original music, which Jackson himself authored. The film includes several songs and from the albums HIStory and Blood on the Dance Floor: HIStory in the Mix. Ghosts is over thirty-eight minutes long and holds the as the world's longest music video.
It won the Award for Best Choreography in a Music Video. The album was also promoted with the singles 'Blood on the Dance Floor' and ' as well as three corresponding music videos. The video for 'Blood on the Dance Floor' premiered on. It centered on Susie seducing Jackson in a courtship dance, before opening a. The lead single peaked at number one in several countries, including the United Kingdom. The double A-side 'HIStory/Ghosts' was promoted with a video for each song. 'HIStory' was set in a nightclub, in a futuristic era, and recalled.
'Ghosts' was a five-minute clip taken from the much longer film Ghosts. The double A-side would become a top five hit in the United Kingdom, but did not chart as highly elsewhere. Commercial reception Initial sales in the United States were seen as disappointing for Jackson. It peaked at number 24 on the US Billboard 200 chart and after four weeks the record had sold 92,000 copies. Despite this, long term sales were stronger, it was certified platinum in May 2000, for shipments of at least a million units. It was certified Gold in Canada for a minimum of 50,000 shipments.
In Europe the record has been certified for shipments of at least two million copies. Blood on the Dance Floor: HIStory in the Mix debuted atop the UK album chart, by July 1997 it had sold 250,000 units in the United Kingdom and 445,000 units in Germany. The album also peaked at number one in France, Belgium, Spain and New Zealand. Since its debut, the album has sold an estimated six million copies worldwide, making it the. Critical response Professional ratings Review scores Source Rating C− (negative) D (positive) (positive) Jim Farber of labeled the album's theme, 'Predatory women, jealous underlings and the evil media continue to obsess him. He's once again playing victim—the world's most powerless billionaire, it seems—mewling about forces conspiring against his heavenly self.'
He said of the lead single, 'Jackson coughs up a series of strangulated mutters and munchkin hiccups in lieu of a vocal, while its chilly, faux-industrial music proves as appealing as a migraine.' He continued, 'Ghosts' and 'Is It Scary' boast a few innovative sounds but no real melodies.' Thor Christensen of noted the album focused on 'angry tales about a coldhearted 'Superfly Sister' or the back-stabbing women in 'Ghosts' and 'Blood on the Dance Floor'. Three of the five new songs on this remix album.involve mean, psychotic ex-lovers'. He observed, 'The dark, cryptic 'Morphine' is easily one of the most ambitious songs he's ever recorded.
He fuels the song with narcotic industrial funk—look out —but then dilutes it by sticking in 90 seconds of goopy, string-laden balladry.' Neil Strauss of gave the album a positive review, saying the record, 'put Mr. Jackson halfway on the road to a very interesting concept album. There is real pain and pathos in these new songs.he frets about painkillers, sexual promiscuity and public image.
In many of them, Mr. Jackson seems like The Elephant Man, screaming that he is a human being.With beats crashing like metal sheets and synthesizer sounds hissing like pressurized gas, this is industrial funk.' He favorably compared Jackson's performance of 'Is It Scary' to rock singer and noted the lyrics, 'If you want to see eccentric oddities, I'll be grotesque before your eyes'. Strauss suggested that the predatory woman, 'Susie', from the title track, was a metaphor for. Finally, he described 'Morphine' as 'chilling. Jackson sings seductively from the point of view of the drug itself.he intones sweetly'. Roger Catlin of stated, 'The most intriguing pairing is 'Ghosts' and 'Is It Scary' in which he asks those who've only read about him in tabloids if he seems monstrous.'
Described the lead single as a 'lackluster first release.dated, played-out dance track', but gave the album an overall favorable analysis. The review described 'Ghosts' and 'Is It Scary' as 'classic Jackson paranoia'. Anthony Violenti of said of the lead single, 'it is laced with Teddy Riley's sound and a pounding techno beat'. Violenti added, 'Superfly Sister', 'Ghosts' and 'Is It Scary' are programmed plastic soul that makes you wonder how someone as talented as Jackson can churn out such tracks'. He said of 'Morphine', 'it has more synthesized beats and quickly fades into Jackson's current indistinguishable style'. William Ruhlman of said of the lead track, 'Blood on the Dance Floor' is an uptempo Jackson song in the increasingly hysterical tradition of ' and ' with Jackson huffing, puffing, and yelping through some nonsense about a stabbing.over a fairly generic electronic dance track.'
, also of AllMusic, had a negative reaction to the record. He said that all five new tracks were, 'embarrassingly weak, sounding tired, predictable and, well, bloodless'. He described 'Blood on the Dance Floor' as a 'bleak reworking of ' and '. Chris Dickinson of, noted, 'Superfly Sister' comes on like a classic Michael dance track, with Michael and playing all the instruments. Blood On the Dance Floor album is definitely a dance record. It's not or or even and it's not trying to be.' Jae-Ha Kim of, noted 'Is It Scary' shows a darker side of Jackson than even the tabloids would have you believe.With the hypnotic 'Morphine', he sounds like a seductive cousin of Trent Reznor's.'
Invincible Michael Jackson
Sonia Murray of gave the album a D grade. She claimed that, 'Ghosts' pounds with funk until Jackson's weak vocals come in.' She described 'Morphine' as an 'overblown rock hiss'. Gave the album a positive review, also expressing the opinion that 'Morphine' sounded 'eerily like ', and continued, 'Scream Louder' a remix of his hit duet with sister Janet, is better than the only because it takes away the overpowering guitar twangs.' Described 'Superfly Sister' as 'sex funk', adding, 'Morphine' apparently told from the drug's point of view and featuring both the Singers and an orchestra, alternates between hard-edged rock and operatic pop.' Contemporary view A longtime commentator on Jackson's public life, J. Randy Taraborrelli, gave a retrospective analysis of the album in the biography, The Magic & the Madness.
Taraborrelli explained, 'Michael's 1997 album contained.kick-ass dance remixes.Several of the other songs on Blood are also memorable. 'Ghosts' stands out, perhaps because it's so evocative of Michael's spell-binding Ghosts long-styled video.it's classic, must-see Michael Jackson.The collection was not a success in America; it was dismissed by critics and much of his audience, who seemed confused as to whether it was a new release or some kind of hybrid combination of songs'. He expressed the opinion that the project was a 'major hit' in the United Kingdom. Tabarorrelli said that 'Blood on the Dance Floor' was one of Jackson's best songs, a song that US fans 'don't even know exists'. The reporter concluded that the US public were more interested in the controversial tabloid stories about his personal life.
William Ruhlman of, agreed that part of the blame for a perceived commercial disappointment in the United States, could be attributed to the ongoing public interest in the singer's private life. Nonetheless, Ruhlman still felt the album was artistically disappointing. In 2005, J T Griffith, of AllMusic, believed that in hindsight, 'Blood on the Dance Floor' was actually a good song. He explained, 'it is a second-rate mixture of 'Beat It' and 'Thriller' but Jackson's missteps are better than most pop music out there. This track showcases all the artist's trademarks: the ooohing, the grunts, and funky basslines.
It is hard to hear 'Blood on the Dance Floor' and not want to moonwalk or dance like a ghoul'. Track listing No. Title Writer(s) Length 1. 'Morphine' (guitar performance by ) Michael Jackson 6:29 3. 'Superfly Sister' Michael Jackson, 6:29 4. ' Michael Jackson, Teddy Riley 5:14 5.
' Michael Jackson, 5:36 6. ' ( Remix)' (duet with ) James Harris III, Terry Lewis, Michael Jackson, 5:27 7. 'Money ( Radio Edit)' Michael Jackson 4:23 8.
'2 Bad ( Mix)' (featuring ) Michael Jackson, 3:33 9. ' ('s In-House Club Mix)' Michael Jackson 6:54 10. ' ( Radio Mix)' Michael Jackson, Dallas Austin 4:05 11. ' ('s Club Experience)' Michael Jackson 7:55 12. ' ' 7:37 13. ' ('s HIStory Lesson)' Michael Jackson, James Harris III, Terry Lewis 8:01. 'Morphine' is also titled 'Just Say No' on some licensed editions of the album.
Both ' and ' share certain lyrics. The LP version replaces 'This Time Around (D.M.
Radio Mix)' and 'You Are Not Alone (Classic Club Mix)' with 'This Time Around (D.M. Mad Club Mix)' (the version on the LP is different from the mix of the same title on the single release of the song) and 'You Are Not Alone (Classic Club Edit)', respectively. Personnel. ^ Thor Christensen (May 20, 1997). 'Jackson's new 'Blood' generally thin Singer's work best when fresh on remix release'. ^ Anthony Violanti (May 23, 1997).
Rojek, Chris (2007). Cultural Studies. ^ Lewis, p. 58. ^ Pinkerton, Lee (1997).
The Many Faces of Michael Jackson. Music Sales Distribution. ^ Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet.
April 18, 1998. Retrieved December 21, 2008. ^ Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet.
Friedman, Roger (January 30, 2004). Retrieved December 20, 2008. Jackson, Michael. Blood on the Dance Floor: HIStory in the Mix booklet. Jackson, Michael.
Blood on the Dance Floor: HIStory in the Mix booklet. May 20, 1997. Retrieved December 20, 2008. ^ Sorkin, Andrew (June 23, 1997). Retrieved December 20, 2008. ^ George, p. 48–50.
^ Taraborrelli 610–611. Lewis, p. 125–126. Guinness World Records 2004. Halstead, Craig (2007). Michael Jackson: For the Record. Authors OnLine.
Retrieved December 22, 2008. Retrieved September 14, 2008. Archived from on May 1, 2010. Retrieved March 5, 2010. Retrieved March 30, 2009. Rojek, Chris (2007). Cultural Studies.
Retrieved May 11, 2010. Entertainment Weekly. May 30, 1997. Retrieved May 11, 2010. New York Daily News.
May 19, 1997. Archived from on July 10, 2009. Retrieved May 11, 2010.
^ Sonia Murray (May 29, 1997). 'Jackson's New Album Warrant's No Hype'. Strauss, Neil (May 20, 1997). New York Times. Retrieved May 11, 2010. The Virginina-Pilot.
Retrieved May 11, 2010. Archived from on 2010-07-10. Retrieved 2010-08-22. Farber, Jim (May 19, 1997). Archived from on June 29, 2009.
Retrieved December 22, 2008. Strauss, Neil (May 20, 1997). The New York Times. Retrieved December 22, 2008. Roger Catlin (May 22, 1997). 'Blood on the Dance Floor: HIStory in the Mix — Michael Jackson'. ^ Ruhlmann, William (July 13, 2005).
'Blood On The Dance Floor Review'. Erlewine, Stephen Thomas. Retrieved December 20, 2008. Chris Dickinson (June 5, 1997). 'Blood on the Dance Floor: HIStory in the Mix'. Jae-Ha Kim (June 3, 1997). 'King of flop Jackson's 'Blood' dies on charts'.
'Blood Shows Jackson's Strength'. (May 22, 1997). 'Jackson's `Blood': It's No Thriller'. (June 4, 1997). Griffith, JT (July 13, 2005).
Archived from on June 7, 2008. Retrieved December 22, 2008. (in German). (in Dutch). (in French). ^ 'Listen - Danmarks Officielle Hitliste - Udarbejdet af AIM Nielsen for IFPI Danmark - Uge 36'.
(in Danish). 1997-09-07. access-date= requires url=. ' (in Finnish).
(in Dutch). Retrieved 2017. Check date values in: access-date=. (in Finnish). Retrieved 2010-09-11.
(in French). (in German). (in Italian). Archived from on May 27, 2010. Retrieved 2012-03-19.
(in Polish). Solo Exitos 1959–2002 Ano A Ano. IFPI Switzerland. Enter Blood On The Dancefloor in the search field and then press Enter. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
Retrieved 2017-05-03. References. (2004). Guinness World Records (2003). Guinness World Records 2004. Jones, Jel (2005).
Michael Jackson, the King of Pop: The Big Picture: the Music! The Interviews! Amber Books Publishing. The Magic and the Madness. Terra Alta, WV: Headline.
Preceded by by May 24, 1997 – June 6, 1997 Succeeded by by Preceded by by number-one album July 11 - 18, 1997 Succeeded.